I’m\u00a0a big fan of the Denver Art Museum.\u00a0 At least, the old building, and the stuff inside the new building.\u00a0 The inside of the new building itself gives me vertigo.<\/p>\n

Which is partly why I like the Joslyn<\/a> so much.<\/p>\n

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That’s a painting celebrating a 1717 Venetian naval victory over the heathen Turk on the far side of the room. The artist actually put a key to all the ships on the painting itself. It’s a little jarring, that mixing of art and military history handbook, though.<\/p>\n

For another thing, the sculpture garden features art that doesn’t look like the shavings from an 8th-grade metal shop class.\u00a0 This is supposed to be reminiscent of the Missouri river.\u00a0 It seems to be mostly fed by rainwater, but it does have the added realistic feature of overflowing its banks:<\/p>\n

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Then there’s this brass work by Tom Otterman.\u00a0 Whimsical enough from the front:<\/p>\n

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With an added bonus on the back:<\/p>\n

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The museum is currently running an exhibit of Currier and Ives plates.\u00a0 Y0u know them from the winter, Christmas scenes of sleds, sleighs, and snow.\u00a0 They also did a nice job with some of the southern plantations and Mississippi river boats.\u00a0 The farther west they got, though, the more fantastical the scenes become:<\/p>\n

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That last one looks like it’s halfway from typical C&I realism to this:<\/p>\n

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They also have Grant Wood’s Stone City, Iowa<\/em>.<\/p>\n

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I have to confess, I’m a complete sucker for 1930’s WPA modern-realist stuff.<\/p>\n

Compare the following two sculptures of riders and horses. The first, the cowboy, is a Remington. The second, a Sioux warrior, is a 1930s piece by a sculptor named Brcin, and is the model of a multi-lize-sized piece out in the sculpture garden.<\/p>\n

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The Remington’s masters technical detail. But I have to confess, the Brcin captures motion<\/em> and action better, I think.<\/p>\n

The museum isn’t all that big, but they have some very nice pieces, from a lot of different times and styles. They have a number from Gerome, a 19th Century French painter who specialized in the Middle East and India. This one is so realistic, it looks almost photographic.<\/p>\n

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I know just how you fell, bud.
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